Malémé

Working in scratchboard on clayboard, I remove ink stroke by stroke, drawing light out of darkness through a slow, deliberate process — a discipline shaped through formal training in Bordeaux, France, and applied with the same uncompromising care to every piece I create.

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What is Scratchboard?

Practice

Scratchboard is a black-inked clay surface I don’t draw on so much as excavate.

Instead of adding pigment, I remove it, scratching away ink stroke by stroke to reveal the bright white clay beneath. A single piece can take hundreds of hours: thousands of tiny incisions, built up slowly, until an image emerges from what looked, at first, like nothing but black.

That slowness is what gives scratchboard its power: sharper contrast, finer detail, light that feels genuinely pulled out of the dark rather than painted onto it. I love this process because it demands total presence. Watching an image appear stroke by stroke still feels like magic to me, and that’s the beauty I try to put into every piece, not just what it shows, but the care it took to bring it out of the dark.

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